poetry ON WRITING A CENTO (after Through the Looking Glass) by Diya Chaudhuri There was a dead silence putting her mouth close to an angry voice. It was very dry lips curling up into a smile. Try again: the best way to explain it is to do it.
I should like to listen down chimneys as large gentle eyes draw a long breath.
That won’t do. Every poem was a cloud of dust.
We can talk with delight about fishes in some way. That might help a little. I should like to be any shape, to be dignified, you know. Little heaps of men remember who you are, have sharper eyes than most. Think again: it gets easier further on.
There are two meanings packed into a very tiny earthquake. It would have to be very clever at explaining words.
The fishes explained, with a grin, what sort of people live about here.
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