poetry CATTLE by Sabra Loomis All afternoon long I lay down by the river.
If I put my head against the side of the hill, I can hear the lambs arguing in Greek or in Arabic. The cattle move in slow syllables downhill, to lie in fields of mud and clover.
I will rest with you here, slow riverbeds cowbeds
Sitting, slowly rocking the great cow-foreheads, twitching grass and brandishing the grass, eating tails and foreheads of the grass
you quiver and heave slightly, switching at bothersome flies, and turn away.
One by one, getting up hindfirst, the necks ungathering hips legs emerging from underneath
You bellow, bring forth cries— you bring forth gathered cries of the watersheds the forests
dusk of great mountains and valleys and walks above the Minaun cliffs.
You bring forequarters of grace shoulderblades, foreheads that rise you bring the dense, wounded cries of the evening.
GNOSTICS by Sabra Loomis Who are these— rising, emanating from grey cliffs?
They are nomads, children of the Father.
Pilots, resters on the waves, risers-up under riptides who are like the grey dawn
Guides in every quick direction; sleek hide and scholarly wingtip, hidden in the hollow of the wave.
They are gnostics, riding the great depths as dolphins, they are like the grey dawn
Otter and seal and sea lion hidden in secret burrows
who went into the brambles and in sunlight washed, and hid themselves, giving and receiving the cloak of the rain.
MESSENGER by Sabra Loomis The turtle’s neck and arms were laced downward and around with yellow markings.
As he climbed, the flowers and lamps of the years were yellow-and-black. He said YES—he gathered them like a flower and turned them up inside; he was trimming and carrying the lamps of all the years for his children’s children. He was their Father!
He was working the ladder of hemp he used to carry over treetops to the kingdom of the lawn, where he set it down, under the trees—
and it stayed motionless. It anchored them through space to the stone steps of the terrace, the side of the house.
Now he was going to depart. Now he was going to hide his head in the evening light. He was going to bed.
Red ends of the daylight were the corners of his eyes.
He carried the lamps of getting up early, and going to bed in summertime— up, from the chambers of the ancient mud, and in, from the silence of the river foam.
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